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No, it’s not the glowering sneer of “Backseat Freestyle” or the multi-pronged storytelling of “Swimming Pools (Drank),” but Kendrick Lamar’s “i” captures something that’s arguably more difficult to convey in hip-hop: blissful positivity. Now nominated for a Song of the Year Grammy, “Take Me To Church” still produces goosebumps after dozens of plays. Even if Clean Bandit never dents the Top 10 again, the group produced one song that feels like it will last forever.Įven if “Take Me To Church” hadn’t been featured in a Beats By Dre commercial or been performed on Saturday Night Live, Hozier’s debut single would have found an American audience, thanks to one of the year’s most harrowing hooks and unique vocal takes. following, and gave us one of the most likable pop singles in years, a fizzy mix of strings, synth-pop and 70’s dance music. Jess Glynne, “Rather Be”Īn ode to feeling at home with your best friend when you’re nowhere near your actual residence, “Rather Be” gave Clean Bandit and Jess Glynne a U.S. Is “Burnin’ It Down” one of the best R&B singles of the year, gifted by one of country’s biggest superstars? The song glides with sex appeal and programmed beats, and while Jason Aldean knows a thing or two about dirt road anthems, he left his comfort zone here and straight-up scored.Ĥ. With Mustard on the beat, Tinashe gave the producer the female protagonist he had been previously lacking.
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By taking a white-hot song and brushing the line “Of course sometimes shit goes down/When it’s a billion dollars on an elevator,” Beyonce made “Flawless” priceless.ĭJ Mustard ruled hip-hop in 2014, but out of all the great singles (YG’s “Who Do You Love” and Jeremih’s “Don’t Tell ‘Em” spring to mind), Tinashe’s “2 On” was the most hypnotic, a masterful display of charisma from an R&B artist who was relatively unknown when the song dropped. How does Beyonce follow up a career-defining album that included some of the most adored singles of her career… as well as a notorious incident in an elevator in which her sister took a swing at her husband? By dropping a remix that splits the difference, of course. Jack Antonoff infused a triumphant melody with pure emotion, and offered an indie-pop single that affects and endures.ħ. Bonus points for a music video that ranks among (or maybe at the top of) Swift’s very best visuals.īeneath the fist-pumping piano hook and a six-syllable vocal chant lies a sorrowful song about a deceased sister and feeling alienated as a hapless high schooler. After years of writing scathing songs about her ex-flames, Taylor Swift tossed every acidic “Maybe SHE’S the problem” user comment into a blender and served up a self-aware smoothie as the second single from 1989.