Do not stand at my grave and weep violin youtube professional#
The 10 professional players, including members of the Dark Horse Consort, who normally perform alongside the student musicians had been hired. Stephen Alltop, conductor of Northwestern’s Baroque Music Ensemble and music director for the Monteverdi projectĪnd, indeed, by mid-March, many of the preparations were done. The academic company has presented several Baroque operas in recent years with support from the Evelyn Dunbar Endowment for Early Music. The Northwestern Opera Theater was to present L’Orfeo, one of the three extant operas of Claudio Monteverdi (1567-1643), during live performances last May. “It was like what the settlers out West must have felt from time to time: I keep traveling, and there is no end in sight. It’s endless,” said Alltop, who finished the audio editing in mid-August. “If I chose, I could work on this for the rest of my life. But it has turned out to be a far more gargantuan project than either envisioned - a melding of some 1,200 video and 1,400 audio files. The two knew the undertaking would be an ambitious one. The performances by the 40 singers and 20 players who took part in Orfeo Remote were filmed and recorded in and around their homes as far away as South Korea, and Alltop and Joachim Schamberger, director of opera, committed to editing the music and imagery into a cohesive whole.
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“I just recall that it was a fairly instantaneous decision that, ‘Yup, that’s what we’re going to do,’” said Stephen Alltop, conductor of Northwestern’s Baroque Music Ensemble and music director for the project. To follow coronavirus protocols, it was transformed into a pair of films - the opera was double cast - titled Orfeo Remote that will be presented via five weekly “episodes” on YouTube after the holidays.
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I was really looking forward to it, and I was devastated: The school is closing, and we don’t know what is going to happen.” Northwestern University violinist Hanna Binghamīut in a matter of days, the two Bienen School of Music faculty members leading the production decided L’Orfeo would go on, if in a very different form. “I was so bummed out,” the third-year graduate student said, “because this would have been my last opportunity to play in a Baroque opera, and I really love to play in opera. When COVID-19 restrictions were imposed in mid-March and in-person teaching came to a halt at Northwestern University in Evanston, IL, Hanna Bingham thought her dreams of performing violin in the school’s planned production of Monteverdi’s L’Orfeo were over. Northwestern University director of opera Joachim Schamberger edited the Monteverdi production using video and audio captured from around the country and South Korea. Early Music News & Press Release submissions.Early Music News from Other Media Outlets.Annual Early Music Festivals, Workshops & Competitions List.Early Music Organizations & Societies in the Americas.
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